While the past two “Cool Amp Finds” were out of production used amplifiers, this amp is available new right now. Ron Westwood of Cutthroat Audio has come up with the Down Brownie, a very cool totally portable amplifier that is an expertly crafted reproduction of the 6G3 Fender Brownface, but also much more than just a copy.
The 6G3 Brownface is a “transitional” amplifier that came between the Tweed and Blackface era. Putting out about 15 watts and using a fixed bias 6V6 circuit, the Down Brownie is the type of amplifier that just begs you to crank it up to around “8” and manipulate the various shades of semi-clean to dirty with the guitar’s volume control. Pedals? It’s really not the same. To get the classic sound of a small amp turned up, you really do need a small amp turned up. The Brownie has the tactile push-pull nature between the guitar and amplifier that makes it feel like a living, breathing organism rather than an assemblage of wires and components. No matter where you are on the guitar’s volume control the tone is natural, deep, and satisfying.
But Ron did not stop there. The amp also features tube or solid state rectification, three selectable levels of negative feedback, a post phase inverter master volume (on the back), Mercury Transformers, and an Alnico Weber speaker.
We would also be remiss if we did not mention the vibrato circuit. It’s just dynamite, and can add a subtle depth that you can just leave on all the time, or a deep pulsating warble.
The biggest departure from the 6G3 is that the “normal” circuit has been replaced by a “British” circuit. Rather than just having the normal channel be a drier version of the vibrato channel, the tone stack has been voiced and located similar to a small Marshall amplifier. Also, when you pull the volume control it jumpers the two channels. Oh yeah, pulling the tone control is like a bright/defeat switch. This channel is a little bright for my taste (and so are small British amplifiers) but in jumper mode it gives the Brown channel a nice edge.
All this tweaking potential would not matter if the core tone of the amplifier was not as good as it is. The Brownie has a warm, rich “brown” tone that is similar to Tweed Deluxe, but in my mind less raspy with smoother highs and tighter bass your average small Tweed clone. If you want the Neil Young on-the-verge-of-meltdown tone, stick with a Tweed, but to me the Brownie feels more put together.
If you can’t part with your pedals or want ample clean headroom, the Brownie is probably not for you. You can mic this amp for a gig, but if you need true clean volume, this is not the Brownie’s strong suit. But for shades of clean-ish that you can easily push over the edge, the Brownie is a wonderful creation that weighs less than most people’s pedalboards.