Flame and Quilt Maple tops for G&L Guitars

flame maple top on ASAT Special from UpFront Guitars
A G&L Flame Maple top on an ASAT Special
Quilt Maple Top S-500 UpFront Guitars
A very deep Quilt Maple top on a G&L S-500

One of the snazzier options for a G&L guitar — or any guitar — is the addition of a flame or quilt maple top. The grain pattern in these woods is produced by cutting specific varieties of  maple in a direction that highlights the grain or figuring of the wood. This technique has been around a long time, and violin builders have been using flame maple — especially for instruments backs — for ages.

A maple top is both cosmetic, and to some degree sonic, and guitar builders frequently employ maple to add brightness. In particular it pairs well with mahogany solid bodies, which otherwise can be a little dark or muddy. So while they look great, is this a good idea as an option for a G&L guitar?

In theory, woods that are more hard and dense tend to add brightness. I guess one way to think about it is that they are more reflective than absorptive. Maple being quite hard tends to accentuate high frequencies. Single coil guitars like a G&L probably don’t need maple for the purpose of brightness, although an exception to this might be the ASAT Deluxe which has two humbucker pickups. In this case the classic pairing of mahogany body and maple top is a natural. Or a Bluesboy, which has a warm and woody Alnico 2 neck humbucker. And while the Fallout is thought of as a “simple” guitar, from personal experience the P-90 and Humbucker pairing responds nicely to a maple top, and looks very cool. Tuxedo Punk, if you will.

But will a maple top ruin your ASAT, S-500 or Legacy? No it won’t, and in the case of the MFD pickups they have plenty of depth and body to work well with a maple top. With any Legacy or traditional ALNICO pickup it can get pretty bright, especially at the bridge. But if you like the look, don’t be shy: After all you do have tone controls. The concept that guitars sound best with all the controls up is just not so. Personally I don’t think any P-90 sounds best wide open, but I love them with a little bit of volume or tone roll off. You paid for those knobs, so use them.

In the extreme, it is possible to create a guitar that is too bright. Maple will add some brightness, certain body woods will add brightness, a vibrato bridge is brighter than a hard tail, and so on. I did have a customer order a Comanche, quilt maple on Empress wood, and vibrato bridge. Between the wood, pickups and bridge it was about as zippy as you an get. I actually thought it sounded good, but he was never quite happy and changed out the pickups. In general, the pickups are the greatest driver, with body wood and bridge type being the next biggest factors. Fretboard material in my opinion matters least.

And remember, you do have tone controls….so build something you dig looking at.